Doug Aitken - Over a decade, Aitken has developed a set of works that reveal the changes and contra

Hélio Oiticica - Hélio Oiticica was one of the most creative Brazilian artists. The synthesis of his work are its beautiful "Parangolés" (1964): evergreen sailing schedule covers, banners or flags colored cotton or nylon with poems in ink on the fabric to be worn or carried by the actor / spectator who comes to perceive his body transformed into dance. evergreen sailing schedule Almost a poetry because the artwork is revealed evergreen sailing schedule only when someone handles the moves. How well defined the poet Haroldo de Campos, the "Parangolé" is a "gliding toward ecstasy." Anarchist Carioca, Oiticica evergreen sailing schedule moved between the hills of Rio de Janeiro and the United States, where he lived from 1948 to 1950, when he moved with his family, and from 1970, when he went to New York. Student Ivan Serpa, began his artistic career connected to the concrete and neo-concrete evergreen sailing schedule experiences. Paintings in gouache on cardboard, saturated color and no prospects, broke with the traditional concept of frame and developed the "Monochrome" or "Inventions" (1958-1959): wooden boards that receive multiple layers of paint and arranged on the wall randomly. Increasingly desirous of integrating art into everyday experience, time spent propose evergreen sailing schedule viewer participation by visual experience, in works such as the "Bilateral" evergreen sailing schedule and "Spatial Reliefs" (1959): painted wooden plates and suspended by wires attached in ceiling; and "Cores" (1960-1963): wooden plaques painted in a double-sided hanging from the ceiling by a wooden support. The first parangolés are wooden constructions to be penetrated by the viewer, who walks on sand, touch objects, hear noises etc.. The second, evergreen sailing schedule containers of various materials such as wood, glass, tin and plastic, contain elements such as sand, stone and colored charcoal, which should be handled.
Meireles - Meireles is an experimentalist and its momentum is going in terms of everyday verbal creation. Known internationally, Meireles creates objects and installations that directly engage the viewer in a complete sensory experience, questioning, among other slogans, the regime of Brazilian bananas (1964 - 1984) and the country's dependence on the global economy. Meireles evergreen sailing schedule has played a key role in the national and international artistic production. Standing of the transition between the Brazilian art neoconcretist production early 60s and of his own generation, already influenced by conceptual art, installations and performances proposals, the works of Meireles dialogue not only with the poetic and social issues specific to Brazil, but also with the general problems of aesthetics and artístico.Durante object 70 and 80 Meireles has devised evergreen sailing schedule a series of works that were a severe criticism of the military dictatorship. Works as Tiradentes: Totem monument to political prisoner or a new critical Introduction, consisting of a tent under which is a common chair lined with nail tips, some jobs are politically motivated artist. Them the political question always comes from research of language. Insertions in ideological circuits: design Coca Cola, for example, consisted of writing, over a bottle of Coca Cola, one of the most prominent symbols evergreen sailing schedule of American imperialism, the phrase Yankees go home, to then return it to the circulation. Besides the political question the project references all questioning developed by the avant-garde movements and Marcel Duchamp at the beginning of the century; a kind of ready made backwards. Meireles examines the fallibility of human perception, communication processes, the conditions of the spectator, evergreen sailing schedule the relationship of the artwork evergreen sailing schedule to the market. One of his works, evergreen sailing schedule called Cruise zero is a faithful replica of a note from the cruise (the currency at that time) that has no value and the historical and heroic figures are replaced by the photograph of a Brazilian Indian evergreen sailing schedule and one patient at a hospital Psychiatric. There is a review, a comment on hyperinflation and devaluation of the cruise, evergreen sailing schedule this work plays with traditional notions of nature evergreen sailing schedule and 'value' of art and marginalization of Brazil in the international art world.
Doug Aitken - Over a decade, Aitken has developed a set of works that reveal the changes and contradictions of the age we live in, a theme that has guided much of his work, and in which it operates Sleepwalkers - the non-linear narrative, alienation the human condition with physical and architectural space. As i am in you, also a video installation, a girl sleeping inside a prefab transported along a highway is shown. In the works of Aitken, a whole visual discourse is mounted, discussing the topic stated above, and only through individual reading and understanding the elements depicted are