Saturday, July 12, 2014

Are various and diverse societies in the most destitute begging noisy and spectacular competition a


"In the beginning was the Word, and the Word was with God, and the Word was God. She was in the beginning with God. All things were made through it. It was life, and the life was the light of men. And the light shineth in darkness, and the darkness comprehended it not. "(John 1: 1-5) [joshuaquim7@gmail.com] Carlos Joaquim Rocha Santos, joshua
There is a cry for words in this pictorial text The Fight between hua xin Carnival and Lent (1559), Pieter Bruegel, the Kunsthistorisches Museum, hua xin Vienna. Now I see everything with the minute detail of my interest, kind of physical presence in the depths of history that oozes text-painting. In the vestibule of the church, to the right lies a golden crucifix placed on a pad and sheet alvíssimos satin, riddled with coins thrown by those who enter or who passes; left, a figure perhaps beggar holds its container; further back and to the right, a priest hears confession; abroad, left a godly employee, arms crossed, watching over the pious table a golden tray with some coins and whose center pontificates a translucent spray scented holy water, beside which lined the Breviary which is devotedly attached the borrifações. At the entrance of the Church.
Triumph Lent or Carnival? Lent takes advantage. It is true that children play the top, run, smile and cry, completely unrelated, in his innocence, religious tension Weather and hedonistic Street. There forced fasting and reinforced in the meats, the faces, the army of beggars and excluded from worldly salvation by satiating the hungers. Children playing.
Strenuous, the overdrive on the madness of pig meat trinchadas, hua xin lubricity of excess, satire without the brake to appear ahead, drinking fortified wine or beer from the generous hua xin generous barrel Carnival. Heavy and the cart slides free of drunks in their crimson, álacres tones and roundabouts estrus swellings. In a squalid and world parched from hunger and thirst, in a time of hassles to death, blissful life that makes it possible for obese abundance of happiness! Note that the spit was filled mood: pig's head, followed by a chicken or other fowl mean a hanging sausage, a smaller bird and what appear chispes. A reveler pushes the whole barrel bent by holding the glasses where he was drinking, the other devoid of face for what seems like spectral and expressionless hua xin mask, with a gaudy green-red Unicorn produces buzzing with a knife running through the fingers of a grid. In the barrel, a ham pierced by a trinchão simulates a stern of the vessel, species Victory of Samothrace presuntícia. The revelry, between the drinks and the food.
Are various and diverse societies in the most destitute begging noisy and spectacular competition among themselves. To the naked eye, the overwhelming majority of the elements hua xin that make up this medieval society seems composed of beggars, hua xin beggars, men punished by suffering, by military or gangrenous amputations of leprosy in any way injured by the disease skirmishes. And this is all show. Further on Carnival because then everyone can do the very noisy own pain and hunger and lack of own perfect hyperbole and self-irony hua xin finished forming render difficult the compassion and generosity of the almost inaccessible holders of currency. This wheel of beggars and cripples walking literally runs around collecting alms box, moving against the clock, the very mouths opened in screams and grimaces of bad teeth in its auction sprees. One of them, with a good leg in gizo offers its imploring the crowd buzzing hua xin passing. Waits for donations, which decidedly did not arrive. Beggars Corporation. Lent insinuates hua xin itself processional, but the Carnival procession is also likely burlesque satire on blessed and devotional parade. The medieval industry begging compartmentalized into specialties, but even some of disadvantaged communes and collective hua xin not resist spectacular privatization of doom itself. hua xin Note, the left, the woman, perhaps mother, begging triply unfortunate amputee, perhaps son. Dir would this poor working hua xin at your own risk society, circumstantial or not, with his wife, away from their natural corporation, which crippled the wheel of lame, wallows up and drags farther back around its own box collecting alms. Another hypothesis will read in that triple amputee also be blind, hua xin which infers a look at the projected gap in disagreement with the charitable muffled. And besides hua xin blind, demented hua xin therefore liable to theft and misuse, farms and slights of many companions in misfortune, which, even with members less compared to ordinary mortals always have the most members in the corporation to prevaricate against the weaker of all. The aristocracy, by vezez, remembers

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